Waiting for answers

Today is a day when I’m waiting for some news. While I’m waiting I can still hope the news will be good, but at the same time I don’t want to raise my hopes too high. There’re two places I potentially could get some answers from very soon. One is from the half way results at UKSC. I’m still waiting to hear the fate of one of my lyrics there and is should be with me at any time now. The judging panel at UKSC is waiting for some information from the Lyricist of the year Award before making the announcement. Hopefully it won’t be long.

 
I have also sent in a brand-new song lyric for evaluation to the people at SongDoor in America. I sent it in as a spur of a moment thing yesterday and was told the evaluation should be with me before the end of the week. The reason I sent it in for an evaluation is, that personally, I felt these new lyrics showed that I have grown some within my craft from my last “real” lyric, to this one. Somehow, I don’t count lyrics I write as an exercise as “real” lyrics, so it’s been a while since I’ve written from scratch with the purpose of presenting my finished work to professionals, whether they are judges or evaluators.

 
In some ways, while writing these new lyrics, I felt it was the first time I was able to write in a way that actually felt like a song lyric. It was more varied in both tempo and language than my previous lyrics have been, and I couldn’t help feeling that my favourite exercise (which is to write new lyrics to old songs) are starting to pay off. Getting more use to writing to the flow of a melody instead of to a certain tempo in my head seem to have got me out of the narrow cage in which I was writing and where the options were very few.

 
I’ve decided to share these new lyrics with you, so you can decide for yourself whether there has been some progress. Hopefully I can give you some news very soon about what the professionals think too.

 
Take care until next time and Happy Writing!
Åsa

Got to let this woman be strong

You’ve been moving
in my circles for a while.
Oh yes, I’ve noticed,
you’ve got a certain style.

You’ve been asking
all about me; yes, I’ve heard.
You want to know me?
This complicated bird?

Chorus
You can buy me a coffee.
You can cook me a meal.
You can sing me a song
that tells me how you feel.
But this girl’s been to hell and back.
The journey made her strong.
If you can’t cope with that,
then we won’t last long.
You’ve got to let this woman be strong!

Bridge
You got to be secure enough
to love the strength in me.
If you’re the controlling kind,
we’ll never share a key.

Chorus
You can buy me a coffee.
You can cook me a meal.
You can sing me a song
that tells me how you feel.
But this girl’s been to hell and back.
The journey made her strong.
If you can’t cope with that,
then we won’t last long.
You’ve got to let this woman be strong!

I’m no pick-nick,
there are calmer ways to live.
But if you’re certain,
this girl got lots to give.

Chorus
You can buy me a coffee
You can cook me a meal.
You can sing me a song
that tells me how you feel.
But this girl’s been to hell and back.
The journey made her strong.
If you can’t cope with that,
then we won’t last long.
You’ve got to let this woman be strong!
©2018 Åsa Sandberg

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Remembering “The kids from Fame”

When I started this blog, I gave myself permission to now and again indulge in my personal favourites when it comes to music. So far, I haven’t done too much walking down memory lane, but today I will stride a few blocks down that specific, pink tinted path, and I would be very happy if you decide to join me.

 
It doesn’t happen very often, but now and again, you are exactly at the right age, at the right time and have the right interests to become totally hooked into a specific TV programme. This happened to me in the early 80s with the series “The kids from Fame”. The series went on for five years (six seasons) and I think I saw most of the episodes. “You got big dreams. You want fame. Well fame costs, and right here is where you start paying. In sweat!” For a few years that sentence blared out of the speaker (note speaker, not speakers) on the telly at home on Sunday evenings. I remember my dad watching too. My dad and I shared most things that had to do with music and he was never scared to delve into the music from my generation even if he himself, among many other genres, was a Sinatra and Bing Crosby man. I also bought all the sound track LPs that were released with the songs from the series, LPs which I totally wore out.

 
A few years back I stumbled upon the series again on a TV channel concentrating on nostalgia, but after having watched half an episode I decided that time had past both me and the series by, and I preferred to keep my involvement with “The kids from fame” safely anchored inside my memory to the time when it was all perfect.

 
The wonderful thing with music is that it rarely goes past its sell by date. This is true for the music from “The kids from Fame” too. Yes, some of the songs I got my fill for my whole life time just because I played them so much back then, but most of them I still love. This is especially true of the lyrics, which I surprisingly still know by heart. I will select some of my favourites that I feel can still hold their own some thirty years later, and share them with you here today.

 
I start with “Life is a celebration” written by Rick Springfield. I like his version too, but I heard it with the kids from Fame first. I love the lyrics in the first verse:

 
I was lost on a winding road
I thought that life had nothing left to give
Then you came and showed me that just to live
Was the greatest gift of all

 

https://www.youtube.com/watch?v=8KyE_28H5oQ&index=1&list=PL27938203EC0C548A

 

My second choice is a song called “Songs”, and the reason I’ve chosen it, is that it so perfectly explains why I love music and songs so much. The song is written by Dennis Scott and in the TV series Jimmy Osmond made a guest appearance and performed the song together with Erica Gimpel (Coco in the TV-series). I have, on purpose, put in a clip of the song that starts with the intro of the TV series because those first notes still give me goose bumps when remembering the joy the 14 year old version of me felt, in having yet another 50 minute episode of TV-gold in front of me.

 
https://www.youtube.com/watch?v=BKGW1OeuMhg&list=RDLDAOM3KKJjE&index=19

 

 

The third song I’ve chosen is called “Lay back and be cool” written by Enid Levine. I’ve chosen it, not only because I like to song, but also because it is performed by my favourite in the TV series; the late, great Gene Anthony Ray, who was one of the few cast members to be involved both in the film Fame from 1980 and later the TV series. As a teenager I couldn’t take my eyes of the character Leroy Johnson and watching this video now, I realise that some things never change. Gene Anthony Ray was a brilliant dancer who oozed with charisma. Enjoy!

 
https://www.youtube.com/watch?v=cEDln4g6KFA

 

 

My last choice in this self-indulgent blog is a song called “Starmaker” written by Bruce Roberts and Carol Bayer Sager. I’ve chosen to finish with this song because most of the “kids” play a part in it and both the video and the song shows the essence of what the TV-series was about; hope, dreams, togetherness, support for each other etc. It was just perfect telly once upon a long time ago!

 
https://www.youtube.com/watch?v=pTM1Mo6IVR4

 

Take care until next time and Happy Writing!
Åsa

No pure intentions

If, like me, you are a person that likes the journey of self-discovery it’s strange how it is somehow never ending. When you think you have explored every nook and cranny, every dirt road, every cul-de-sac inside yourself and feel you’ve got your answers, then it starts again. Nothing explains the inside journey better than the illustration of the onion. You peel layer after layer, but somehow there is always more. What I’m realising at the moment is that even though I may be fooled into thinking that the issues I will have to deal with closer to the core are simpler, because they inevitably look smaller, they are much denser and harder to get hold of to peel off. I think they also hold all those things I haven’t been ready for earlier in my development, so subconsciously I have pushed them away, creating these dense layers that I’m now starting to consciously be aware off.

It was actually yesterday, when writing my other blog https://overweight-thoughts.blog/ that my next layer came into vision for me. I was talking about how I always have been putting so much pressure on myself to achieve brilliance in one creative area of my life or another, that I never really took into consideration that I may not be capable of such heights, so I now feel on the brink of serious exhaustion. In my blog yesterday I challenged myself, saying that maybe it was time for me to accept mediocracy from myself? Not saying that I wouldn’t continue to try my hardest, but maybe it was time for me to start to accept that if what I send out into the world to get judged, comes back to me as an okay attempt instead of an exceptional one, this should also be good enough for me.

This thought felt very uncomfortable to me yesterday, and it doesn’t sit any better with me this morning, but at least I have become aware of something inside me that needs resolving. My next step is to ask why I am so driven? Why is brilliance so important to me? I know I have a tendency to expect a lot from people around me too, but I’m always hardest on myself.

While I was out walking my dog Columbo this morning, I finally was able to admit to myself what is the fuel that drives me, and why it won’t allow me to let go of the dream of one day achieving something that, in my own eyes, is good enough. Sadly, my reasons for wanting to achieve something worth recognising in bigger circumstances aren’t pure or noble at all. Although the fuel that drives me is very pure. It is a pure hate and anger that has built up inside me for the last five decades. “I’ll show them!” is the sentence that is my drive. “I’ll show them all”. It seems like I have put all the anger and hate which has developed inside me, starting from the lack of support and understanding of my creativity at home as a child; all my childhood bullies; all the people that have at some time in my life betrayed or lied to me in a big way into this fuel. All of this I have buried inside a distillery living inside my soul and from that I draw this high-octane fuel built on unresolved hate and anger.

Granted, it’s not the worst thing in the world to do; aiming all my collective hurts and wounds that I have had time to gather in my life, towards something as positive as creativity. My problem is that the longer the hurts have been bubbling away in my private distillery, the purer and higher the octane, the bigger my personal achievement will have to be in order to satisfy me in my strive to “show them”.

A lot of “them” I probably don’t even remember anymore, but I remember enough for it to be difficult for me to change over to a more environmentally friendly fuel for my creative driving force. The pure, hate fuelled stuff at the moment seems to be what’s needed to keep the fire burning inside me.

Accepting this, I also have to accept that I’m most certainly steering straight towards a head collision with my next paradox in life. I’ve learned the hard way that most things I really want in life, I have to let go of or set free, before they can be mine. I won’t lie to you; this realisation makes me angry. I’m not sure I am capable of getting rid of my hate filled fuel, that has been driving me for so long, but I am pretty sure that I won’t produce anything that I personally will accept as good enough creatively, while my main driving force is “I will show them”. I also know that if I can’t get to a point where I can accept my work on whatever level it lives on, I will soon hit a wall of pure and serious exhaustion, and if that happens, I won’t have much choice in the matter anymore anyway.

They say, we will never be given anything in life that we are not strong enough to cope with. I have just been shown my next layer in my personal onion. Hopefully I will be able to peel it off and come out on the other side of it with a capability of accepting my creativity just as it is, without any demands on the end result being different or better. It will just be an extension of me and my life experiences but without having to be presented as a product that needs to “show anybody” anything.

This won’t happen overnight, but the chance of it happening at all is much bigger today than it was yesterday, because today I’ve been given the awareness to be able to start working on my next step of self-development, which is a very humbling feeling that fills me with gratitude.

Take care until next time and Happy Writing!
Åsa

I’m in the semis!

The “mid-term” results from UK songwriting Contest (UKSC) are now starting to drip through. I have had the judge’s decision on three out of my five entries into the first session. My lyric called “Destiny Calling” which was given the best evaluation I’ve ever had from SongDoor, did not get through to the semis. That didn’t surprise me, because so far, the judges at UKSC and the evaluation team at SongDoor have always been sitting on opposite sides of the fence. Absolutely nothing wrong with that. Instead it is almost comforting that this difference of opinion continues.

 
My collaboration together with Fredrik Holm; – the song “Alone” in the jazz and blues category, didn’t go any further either. Well it will, just like “Destiny calling”, be considered for the lower prices, which are “Special mention award”, “Higher commended award”, or “Commended award”, but however nice that is, anything below a semi-final place really means that the entry has come to the end of the line in this year’s competition.

 
The third entry of mine that already has been seen by the judges is the lyrics to “Alone” that I entered into the “Lyric only” category and I am very pleased to announce that it has been given a place in the semi-finals and still lives on in the competition. The strange thing is that it wasn’t the version of the lyrics I was going to enter. I made a rooky mistake with both the song version and the lyric version of “Alone” and entered an earlier one where I still hadn’t made my final correction. Since I’m in the semis with this version I suppose I could leave it, but I also know that my final version is flowing much better, so I will enter both the song and the lyrics again for the autumn session. If I don’t I will always wonder “what if”.

 
I’m still waiting for the results of a “Lyrics only” entry I’ve called “Sad to waste it” and a song collaboration, again with Fredrik Holm as the composer, entered in the “Open category” called “Mad World”. I did enter an earlier version of “Mad World” in the “Lyrics only” category in 2015 and it was given a semi-final place. Since then I have refurbished the chorus and changed the verses a bit and added a bridge. I will enter the new version of the lyrics into the competition before the deadline on 30 September, but I thought I’d wait and see what happens to the song first. The song is a bit different, so I’m pleased that UKSC have an open category these days. It gives songs that fall between the standard categories a chance.

 
I will share “Mad World” with you, both the lyrics and the demo of the song, while I’m waiting for the results. Hopefully it will inspire some of you, who are still sitting on the fence about entering your lyrics or music into the competition, to actually enter. Writing lyrics can be a lonely thing to try and make a living out of, so finding places to talk to other, likeminded people can help to keep the motivation going. Competitions are one of those places where you can do just that, and you may also be lucky enough to find collaborators, if you, like me, don’t write music or if you are a musician that prefer not to write your own lyrics.

 

 

Take care until next time and Happy Writing!

 

Åsa

 

Mad world
I’m scared of being sued
and sick of getting screwed.
The world is going mad
and everybody’s blinking rude!

Chorus
Mad world, Bad world,
most of all a Sad world!
Where can I get off?
Rough world, Tough world
Through and through a Bluff world.
When can I get off?

I wonder why I’m here
when all I sense is fear.
I hate to feel alone
but know the cost of getting near.

Repeat Chorus

Bridge
I know that I’m moaning.
So, what! Don’t we all.
It’s my way of coping,
fight back when I fall.
Repeat Chorus

I’m tired and I’m worn,
regret that I was born.
I need a new way out,
‘cause deep inside I feel so torn.

REPEAT CHORUS x2
©2014/2018 Åsa Sandberg

 

Looking for a sign

Last week I wrote about being at peace with my lyric writing journey. This hasn’t changed, even though I’m prone to sudden mood swings, but apart from my lyric writing I am at a loss when it comes to figuring out what to do with most things in my life.

 
I have told you that, since a couple of months back, I am working two jobs to keep afloat. This new situation has put me in a catch 22 situation, because without keeping both jobs for a very long and foreseeable future, I will sink financially. On the other hand, by keeping the jobs for a very long and foreseeable future I will deny everything inside me that is me, which sooner or later will kill me no matter what my financial status is. To begin with it will kill me on every other level than physically, i.e. it will zap my energy, kill me emotionally, it will numb my mind, my spirit and my soul will starve. When it has gone that far, my divine spark will dim down too. There won’t be much point walking around like the zombie I will be, at that point.

 
Why do I feel my future is looking this dark? Well, after only seven weeks in this new situation, I am forced to leave more and more of my creative work behind, just to have the energy to go to work and do things that need doing at home. Some of you may have noticed that this blog already has started to suffer a bit. Last week I only managed one blog post, because I have been too tired to find any kind of inspiration to write.

 
For most people, two jobs wouldn’t be a problem and for most people continuing with creative things after work wouldn’t be a problem either. Sadly, I’m not most people. I belong to the 20% in the world that lives with the title Highly Sensitive Person HSP https://hsperson.com/ and therefore the situation I’m in is slowly destroying my life.

 
I feel totally cornered and all I can do is look for a sign of some sort to help me out of this predicament. I would never walk out of any of the jobs, because the world doesn’t look kindly upon people quitting jobs needed to keep them paying the bills. In all fairness, I wouldn’t look kindly upon myself if I did. Sadly, there may come a time when the choice isn’t mine anymore if this is how I feel after seven weeks. In what shape will I be in after twelve months? How much of the real me will still be around?

 
A few years ago, I wrote a lyric about how it can hurt when people only see what they want to see when they look at you. Anything inside you that frightens them or is too different from themselves, people tend to ignore. This is fine if we are talking about strangers. Less so if we talk friends or family. At the moment the lyrics also fit in with my biggest wish; that someone out there would recognise my strengths which can be in any of my creative ventures, i.e. graphic designing, baking, writing etc. so that I could be able to make a living from something that vitalises me, instead of what is happening now and is slowly killing me.

 
The lyrics is called “Love the real me”.

 
Take care until next time and Happy Writing!
Åsa

 

Love the real me!
I’ve been a big disappointment,
in every which way to you.
That is what happens when trying
to change what is red into blue.

You want me to fit your settings;
So what, if I lose my wings?
As long as I live your picture;
Who cares if my soul fails to sing?

Chorus
You say that you know me
but don’t have a clue.
You never took time out
to find what was true.
I’d so much to offer,
but outside your mould.
You saw what you chose to,
and missed all I hold!
Why couldn’t you love the real me?

It would have been good to tell you
of all the dreams that I’ve had.
But somehow, they were to different,
your fear made me mute and so sad.

Chorus
You say that you know me
but don’t have a clue.
You never took time out
to find what was true.
I’d so much to offer,
but outside your mould.
You saw what you chose to,
and missed all I hold!
Why couldn’t you love the real me?
©Åsa Sandberg 2014

At peace with the journey

Two days ago, I entered into the UK Sonwriting contest one additional lyric and one song where I have collaborated with a composer, making the tally to the first part of the competition three new lyrics and two song collaborations.

 
I mentioned this on UKSCs Facebook page and another competitor that I “talked” to quite a lot last year via the same FB page, asked me how I had been doing since last years results and if my musical dreams had come true? When answering, I got very surprised over what I said, but it is in a happy way. This is what I said: “I feel I am on the right track when it comes to my lyric writing and I’m at peace with the journey!

 
I’m at peace with the journey! How incredible is that! I think I will allow myself a pat on the back for being able to say that and mean it!

 
I suppose you could ask me if I suddenly have lost all my aspirations? If what I want for myself in this creative job has faded? No, is the answer to both those questions. I still burn for the day when I once again get a result I personally can look at as a successful one,. I still want to be able to earn money from writing lyrics, but what I have learned is that those dreams won’t be handed to me on a silver plate from the outside. At least not until I have done the legwork and completed my inside journey and, in all honesty, can say that I have done everything in my power to become as good a writer as I can be.
The reason I’m at peace with my journey is that I am working on becoming better as often and as much as possible. I know I have a few miles to go yet, but I have also travelled a few miles already and done a lot of learning lately. If my efforts so far are rewarded with good marks in the competitions this year, I will be very happy, but the best thing is that I have no expectations what so ever.

 
I think I got a bit spoilt in 2015 when I scooped home 8 semi-final places from UKSC. I thought lyric writing was easy, and the next two years I expected the results to mirror my debut year, especially since I did exactly the same thing. Well, so much is wrong with my last two statements. Firstly; -lyric writing is not easy. Not if I want to aim for good lyrics. Secondly; – I did exactly the same thing! How arrogant and ignorant was that? I never bothered to learn anything new. I thought that I, out of the blue had got the perfect formula for lyric writing and kept hammering down lyric after lyric out of the same old mould. Thank goodness I’ve had some sense knocked into me since then.

 
Another thing has also happened since the UKSC competition 2015. The judges have raised the bar. If I were to enter the lyrics I entered in 2015 again this year, I can’t see many of them making the semis. This doesn’t take anything away from either my lyrics or the 2015 competition. I played in a playing field where all were judged by the same standards, on which ever level the standard was that year, and among those entries mine were thought of as good enough to get awarded 8 semi final places. My mistake the following years was that the competition moved on to new heights and I didn’t.

 
Still, I hadn’t realised that I was feeling as good as I was about where I’m at with my writing, until I was asked the question. I’m sure, a year from now, my goal will be on a higher level, if I can continue to see and feel development, but for now it is all good!
I am obviously very curious about how my entries to this first part of the UKSC will be received, and I can’t wait to find out within the next week or so, but it is a wonderful feeling not to have any expectations what so ever. It gives me a great feeling of harmony from where I can continue my journey.

 
Take care until next time and Happy Writing!
Åsa

Imagine

Imagine the world without the song “Imagine” by John Lennon. It isn’t easy however hard I try.

 
I have gone back to my favourite website at the moment, www.songfacts.com and found that “Imagine” is the number one lyrics of today’s top 10. I will share the song facts about this wonderful song with you. One fact that I found amusing, since this particular fact makes me realise I wasn’t totally off the mark doubting the English grammar of that sentence when I heard the song as a teenager back in Finland. This is the fact; “According to Yoko Ono, who controls the rights to John Lennon’s music, the most frequent request she gets comes from musicians who want to record this song but change the “No religion, too” lyrics – a request she has always denied.”

 
A good thing to keep in the back of my mind if any critics or judges tells me off for not being grammatically correct!

 
Enjoy the song facts!
Take care until next time and Happy Writing!
Åsa

 

 

Lennon was asking us to imagine a place where things that divide people (religion, possessions, etc.) did not exist. He felt that would be a much better place.

 
This song is a strong political message that is sugar-coated in a beautiful melody. Lennon realized that the softer approach would bring the song to a wider audience, who hopefully would listen to his message.

 
Lennon took the sole songwriter credit on this track, but later said that his wife, Yoko Ono, should have been credited as well, as he got the initial idea from her book Grapefruit, which is a book of instructions with things like “Imagine the sky crying…” or “Imagine you’re a cloud.”

 

“I was a bit more selfish, a bit more macho, and I sort of omitted to mention her contribution,” he told the BBC. “If it had been Bowie, I would have put Lennon-Bowie… I just put ‘Lennon’ because she’s just the wife and you don’t put her name on, right?”

 

On June 14, 2017, the National Music Publishers’ Association announced that Yoko would finally be added as a songwriter for “Imagine.” This took place at a ceremony where Yoko was given the Centennial (song of the century) award for her contribution, which was followed by a Patti Smith performance of the song.

 
Some people have wondered if Lennon included a message in the video for this song as well. In the video, Lennon is dressed as a cowboy and Yoko Ono is dressed as an Indian squaw. This could be a kind of message about all cultures getting along.

Suggestion credit:
Adam – Dewsbury, England, for above 2

 
Lennon wrote this on a brown Steinway upright piano. In 2000, George Michael paid over $2 million for the piano that Lennon wrote this on, and then returned it to the Beatles museum in Liverpool. John’s piano has since been “on tour” to various world locations promoting peace.

 
Churlish listeners had a problem with the “no possessions” line, finding Lennon hypocritical since he was so well-off. Yoko Ono addressed this in a 1998 interview with Uncut, where she stated regarding her husband’s intentions: “He sincerely wished that there would be a time when all of us could feel happy without getting too obsessive about material goods.”

 
A sidewalk mosaic spells out the word “Imagine” in a section of Central Park dedicated to Lennon. The area is called “Strawberry Fields,” and is located across from Lennon’s apartment where he was shot.

 
This was not released as a single in the UK until 1975, when it hit #6. Shortly after Lennon’s death in 1980, it was re-released in the UK and hit #1. It was replaced at #1 by Lennon’s “Woman,” marking the first time an artist replaced himself on top of the UK charts since The Beatles followed “She Loves You” with “I Want To Hold Your Hand.”
This is credited to The Plastic Ono Band, the name Lennon used for some of his recordings after leaving The Beatles. Ringo Starr played drums on this and Klaus Voorman played bass.

 
On September 21, 2001, Neil Young performed this on a benefit telethon for the victims of the terrorist attacks on America. Almost 60 million people watched the special in the US.

 
At a 2001 tribute special to Lennon, Yolanda Adams sang this with Billy Preston on organ. Preston played keyboards on some Beatles songs, including “Get Back.”
Oasis used the piano intro on their 1996 song “Don’t Look Back In Anger.”

 
In 2002, this came in #2 in a poll by Guinness World Records as Britain’s favorite single of all time. It lost to “Bohemian Rhapsody” by Queen.

 
This has been covered by many bands, including Our Lady Peace, and a vastly toned-down version by A Perfect Circle. Jack Johnson recorded it for the 2007 compilation Instant Karma: The Amnesty International Campaign to Save Darfur.
Suggestion credit:
Jeffrey – Victoria, Canada

 
This song plays a role in the movie Forrest Gump. Gump (played by Tom Hanks) appears on a talk show with Lennon, talking about a place where there are “no possessions” and “no religion.” It’s implied that Gump gave Lennon the idea for this song.

 
Some speculate that this song contains backwards messages. With a keen ear and large imagination, you can barely make out the words “people war beside me” when reversing the line “Imagine all the people.”
Suggestion credit:
Spencer – Los Angeles, CA

 
On September 13, 1980 Elton John did a free concert in New York’s Central Park, ending it with this song. This performance was three months before Lennon’s untimely death; before playing the song Elton said, “This is for a dear friend of mine who doesn’t live too far from here, so let’s sing it loud enough for him to hear it” (Lennon lived only a few blocks from that part of Central Park). The flamboyant Elton performed the song wearing a Donald Duck outfit.
Suggestion credit:
Chris – Philly, PA

 
Lennon said this song is “virtually the Communist Manifesto.” That’s usually the last we see of the quote, but Lennon added: “even though I am not particularly a communist and I do not belong to any movement.”
Suggestion credit:
Adam – Mechanicsburg, PA

 
This song returned to the Hot 100 three times in the late 2000s, thanks to cover versions by Jack Johnson (#90, 2007), David Archuleta (#36, 2008) and The Glee Cast (#67, 2009).
The jazz musician Herbie Hancock recorded this as the centrepiece to his Imagine Project. His version features Jeff Beck, P!nk, Seal, India.Arie, Konono N°1 and Oumou Sangaré.

 
According to Yoko Ono, who controls the rights to John Lennon’s music, the most frequent request she gets comes from musicians who want to record this song but change the “No religion, too” lyrics – a request she has always denied.

 

 

So, does this mean you can record any song, but you need special permission to alter the lyrics? Essentially, yes. Alex Holz at the music licensing and royalty service provider Limelight explained to us: “Artists can be afforded ‘some’ leeway in adapting a track to your band’s style (so long as you don’t alter the fundamental character of the work), though lyric changes/alterations typically require direct permission from the publisher as a derivative work. Every songwriter/publisher/song is unique and requirements vary.”
This was the last song played on WABC before they switched from a Top 40 format to talk radio. Based in New York City, WABC was for decades the top AM radio station in the country. They debated long and hard to decide which song should be their farewell.
Suggestion credit:
Rob – Minneapolis, MN

 
A moving rendition of this song took place in Paris on November 14, 2015 at the Bataclan theater, where 89 people were killed by gunmen in terrorist attacks the previous night. The German pianist Davide Martello brought his grand piano to the theater, and played the song while crowds mourned outside the venue.

 

 

Over the next few days, Martello brought the piano to every location in Paris where the attacks took place, performing the song in tribute.

 
When Nike used the Beatles song “Revolution” in 1987 TV commercials, Yoko Ono joined the surviving band members in suing the company. In the court proceedings, it was revealed that Yoko appeared in a Japanese TV commercial for a telephone company where “Imagine” plays. According to court documents, she authorized use of the song and was paid about $400,000. The “Revolution” case unified the Beatles in their opposition to having songs used in commercials, especially since they didn’t control the rights – Capitol Records and Michael Jackson did.

 
At the opening ceremony of the 2018 Winter Olympics in Pyeongchang, South Korea, four singers from that country performed the song, with each taking a verse. The singers represented a range of genres, including K-pop, with Ahn Ji-young of the duo Bolbbalgan4 performing along with Ha Hyun-woo of the rock band Guckkasten, Jeon In-Kwon of the rock band Deulgukhwa, and the solo artist Lee Eun-mi.

 

 

The theme of the ceremony was “Peace in Motion,” with a message of unity as athletes from North and South Korea entered under one flag.

 
Ben & Jerry’s, makers of “Cherry Garcia” and “Phish Food,” named an ice cream flavor after Lennon’s hit song in 2007. Retired since 2013, “Imagine Whirled Peace” was a caramel ice cream mixed with toffee cookie pieces and chocolate peace signs.

 

 

You can’t force it

You may or may not wonder where I disappeared to last week, but which ever it is I thought I’d tell you. I decided not to publish any new posts last week because my proof reader was visiting Portland, USA and I really don’t want to publish anything that hasn’t been proof read by a native English-speaking person. Even though the corrections get less and less the more blog posts I write, neither my pride nor my professionalism will allow me to publish anything that isn’t as free from mistakes as it can be.

 
Last time we “spoke” I promised you a new lyric built around our senses. I wanted to write a lyric where I described things seen, heard, tasted, smelled or touched by the main characters of that lyric. So, how is that going for me? Well, I do have a framework, but at the moment there is nothing unique about what’s in my head so unfortunately this project will have to wait a while longer.

 
One thing I never do is to try and force a song lyric that for one reason or another is having a difficult birth. Sometimes this happens because the idea isn’t that brilliant to begin with, but sometimes I just know there is something about an idea of mine that could be special. However, if I rush it, I will destroy it. The right words will come when it is time. Or, at least I have to put my trust in the feeling that says this is how it is.

 
Giving a lyric time to mull over inside me (in my subconscious) until it is ready, is not something I do very often these days. I have mentioned before that the majority of my early song lyrics were written that way and that when I finally wrote them down they stayed exactly as they were, because good or bad, this was how they had come to me and it felt wrong to change them.

 
Luckily, I’ve had some sense knocked into me since then, so now I use much more of a craft approach or work mentality. I chose a time, I sit down, and I write. Sometimes the result ends up in the bin, sometimes I go back to it the next day for tweaking and now and again I end up with something that makes me feel hopeful.

 
Still, once in a while I get this old, familiar feeling that there are some words that could be worth waiting for, that are mulling over in my subconscious. There is a difference now as before I would not have been writing anything at all in between getting this feeling and finally writing down the finished product. This meant there was hardly any writing going on. I wasn’t practising my craft at all. If I’ve learned anything this year, especially since starting my two blogs, it is that writing is a skill that needs to be practised every day. Just like anything else you want to get better at, you need to physically do a bit of it every day. Very few of us are able to live on lyric writing. Instead it is something we have to try and find time for in between jobs and everything else that life demands from us. Just a few minutes a day of physical writing can make a difference. It keeps the flow going and give us a focus. I think someone has said that a goal without a focus is just a dream. Personally, I want to keep my focus so that my lyric writing dreams can become a reality and not remain this beautiful, but unreachable dream of “someday”.

 
The cut off date of the first session of the big song writing contest UK SongwritingContest is very close now. The 7th of August is the last day to enter songs or lyrics for those who want to know the results of the entries at the end of this month. Personally, I have so far only entered two lyrics and a song where I have collaborated with the lyrics. My plan is to enter at least one, maybe two more lyrics before this first deadline. Waiting for the results until December seems a bit too long however quickly time flies these days.

 
It feels nice to be back blogging again. I know I was only gone for a week, but it has felt like an eternity. Good luck to anyone out there entering competitions at the moment. I’ll keep my fingers crossed for you!

 
Take care until next time and Happy Writing!
Åsa