Christmas lyrics

I know, I know. It is only October and I have just mentioned the C-word. I will have made a lot of people shout out in disgust by doing so, but it can’t be helped. I have many reasons to start planning and thinking of Christmas in October. First of all, I have a small, seasonal home baking business where I bake Nordic biscuits which I sell in boxes containing 56 biscuits and cookies of seven different kinds. I need to start to bake these (I will need more than 3000) next week. This is something I’ve done for almost a decade now and when I start to bake I also start play all my Christmas CDs. I’m convinced my biscuits taste better if they are accompanied by Christmas music while in the oven.

 
A second reason for me to think about Christmas well in advance, is that I have got family and close friends in Finland and I need to plan and prepare my parcels for them well in advance, so they reach their destination in time for the big day. So, as you can see, my head has to get into Christmas mode about now to avoid unnecessary stress.

 
I am a big fan of Christmas music, and I think I am so very lucky to have been brought up with Christmas songs that have both Swedish and English lyrics. A lot of Swedish Christmas songs have been translated from English, but there are also plenty of original Christmas songs written in Swedish. I have been collecting Christmas music on both LP and CD for as long as I can remember, and I am always on the lookout for more unusual Christmas songs or unusual arrangements of the more well-known songs. My dream or should I say, one of my goals as a lyric writer is to write enough brand-new song lyrics on the theme of Christmas, to make up a Christmas CD. It’s not an easy task, because most things to do with Christmas has been said and described so many times before in such beautiful ways, that it will be very hard to find a unique spin on the theme. So far, I have only managed one Christmas song lyric and it was written in 2013, which was my first year as a lyric writer. I gave the lyrics the name; “The modern way”. It reached the semi-finals in UK Songwriting Contest in 2015. Again, it was a lyric that divided the jury in England and America. In Great American Song Contest, they didn’t like that I had named my song “The Modern Way” and then never used the title in any kind of hook or Chorus. I can totally see their point and today this lyric is sitting I in a file on my computer that says, “Needs working on”. So far, I haven’t found a good solution for a change, even if I wouldn’t write like this anymore. Maybe I will leave this particular lyric to stand proud as the semi-finalist it is and concentrate on a new seasonal lyric instead. I will leave you with my first ever Christmas lyric, so you can judge for yourself, if you feel like it.

 
Take care until next time and Happy Writing!
Åsa

 
The modern way 
I planned to write a brand-new song,
which painted Christmas well.
It was to have a take so new,
that you could really tell.

I wasn’t gonna write one word,
describing starry eyes.
But circling around the core
was ending up in lies.

Chorus
Christmas
A multitude of joy for over 2000 years.
Christmas
A time when inner peace is overcoming our fears.
Christmas
A good excuse to make a lonely stranger a friend.
Christmas
A gift of love to carry through and keep until the end.

Bridge
Santa, toys and sparkling trees, abundance all around.
Our modern way to celebrate the love that once was found,
inside that tiny stable, one quiet starry night.
A love that’s kept us going, brought peace to every fight.

The world is very different now,
from what it was before.
We celebrate in modern ways
not better, but much more.
We eat and drink and buy and sell,
for months before “The Day”.
As long as we remember why,
who’ll judge the modern way?

Chorus
Christmas
A multitude of joy for over 2000 years.
Christmas
A time when inner peace is overcoming our fears.
Christmas
A good excuse to make a lonely stranger a friend.
Christmas
A gift of love to carry through and keep until the end.
Åsa Sandberg©2013

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Collaborations

Today, I’m going to talk about patience, putting in the hours and how, if we do so, we sooner or later get the help we need. I’ve told you before that it can be difficult to measure progress as a lyric writer. Therefore, I try to take part in as many competitions I can find and can afford to send in my lyrics to. Having done this for a few years now, I’ve built up some connections with other musicians and writers. Even if I haven’t been a finalist or winner anywhere yet, I have had some success, and this is useful when looking for collaborators.

 
There have been times when I have doubted if I will ever find any more collaborators out there, but then suddenly, I have got three new projects on the go with as many new people. Two lyrics of mine are out there in the hands of two very talented musicians and the third project is one where I have been asked to write lyrics to a song that is being composed as we speak.

 
This obviously is a very nice situation to be in, because a lyric without a melody is like having a TV in a house without electricity. It is a nice thing to have, but not much point with having it in the long run. What I have realised after a few years of writing song lyrics is that everything takes time. I don’t think it is only people you have to convince you are here for the long run and are serious about your writing you have to put in hours of work for a long enough time to also let the Universe pick up on your pulse. If you write regularly and with a purpose for long enough, the Universe will hear this steady pulse of yours and feel that this is something you are serious about. Then, when the Universe senses your presence and commitment to your purpose, it will do everything in its power to give you what you need for your next step.

 
This is something I knew but had forgotten and because I had forgotten, I have been quite impatient at times. Especially last year when I almost gave up writing, only to realise this was something I could never do. Writing is my life, so instead of quitting I decided to get better and put in the hours and show commitment. Somehow this seems to have started to pay off, because I seem to be in a process where I am given what I need to get to that next, alluring step.

 
The absolute best thing with collaborating is to see what someone else’s creativity can do with my lyrics. I hope I never get blasé about how wonderful it is to hear a new song written around my words, for the first time, Normally the melody is totally different than I had imagined in my head, but usually it is always so much better than anything I could have imagined. It shows how differently everybody interprets words or how every person’s unique life experience puts different meanings to the words. It is a wonderfully fascinating feeling.

 
So, there will hopefully be some exciting times ahead, this autumn. Three new songs on their way and still around two months to wait for the results of my entries into UK songwriting contest. Life could definitely be worse.

 
Take care until next time and Happy Writing!
Åsa

How to choose a subject or story

I like getting asked questions, that makes me find out more about how I react and why I react as I do. Yesterday, I was asked if I would be prepared to change the angle of a song lyric of mine and have the song the lyrics features in, redone and reproduced with that new angle. I have heard brilliant productions form the place the friend that asked me, is using, so obviously I would have been curious to find out how the result from a production like that would sound, but still I never even considered the change. This particular song lyric is so very special to me and I know that it can be interpreted in many different ways already, the way it is written, so changing it is not an option for me. The only change I could do, and feel both the song and lyric could gain from is to add a bridge, but we’ll see what happens.

 
Sometimes you must just follow your heart and even more importantly your gut. I can still remember how I felt when this particular lyric came about. It just appeared, late one evening and what I wrote about has become even more important to me during the last twelve months, so to change the whole meaning of my lyric would be absolutely impossible. Even the thought of it made me feel sick in my gut. I did change the chorus quite a bit when the lyrics became a song, and I can totally see why those changes were necessary. I can also see how those changes made the chorus much better, but that is not the same thing as changing what the story is about deep down.

 
I sometimes wonder if I would need to use my head more than I do when writing, so I would write lyrics more user friendly for the business. I have already reined myself in an awful lot since I started. Back then I was out to prove that it is possible to take any subject matter and make it into a popular song. I still feel it should be like that, but I have also learned that in reality that isn’t so. Still, if it is a lyric, where I know the words really touches people, I will stand my ground, because if the words in a song can move people to tears in the right way, it must be right whatever the story. This also means it will work as a song in some genre. Maybe not for the younger listeners, but I’m not sure I’m able to write lyrics for that generation anymore anyway. Some things maybe accidently written sometimes, but not consciously or planned. I can only draw from my own experiences through the years when writing and logically that means that my kind of writing and my way of thinking should appeal better with middle aged people.

 
Going back to this particular lyric I was asked if I would consider changing, I have to say I am so grateful for the experience the collaboration gave me the first time around. It forced me to accept that changing my lyrics can be a good thing and this started a totally new journey for me from where I now have changed a lot of my old lyrics and, in my opinion, made them better thanks to that change. None of the changes have been about changing the story though. I’ve just changed words. While writing this, I’m realising that I don’t think I ever would change the angle or storyline in my lyrics, because most of them come from my gut and personally I never override what my gut tells me to something my head wants to do. At least not when writing. I much prefer to write a new lyric with the story line in question if that ever would be the case.

 
I don’t know how you, out there, choose your stories when writing lyrics. Do you just write from your gut or do you let your head rule what comes out on the paper? Which ever way, I wish you all a good, creative week.

 

 

Take care until next time and Happy Writing!
Åsa

Finally, the best evaluation ever!

You know those times when you want to stop yourself, because you don’t want to become disappointed yet again, but still you can’t help thinking that you are on to something good?

 
Well, this was me with my latest lyrics. Deep down inside I knew that all I had learned so far this year came together in these lyrics. Everything I have been able to figure out by learning to listen and act on advice from people that know what they are talking about, plus forcing myself to write, write and then write some more. Also at times when there hasn’t been one ounce of inspiration anywhere near me, all of a sudden made the pieces fall into place and FINALLY I took a big step forward on my personal lyric writing journey.

 
To find out if what my instinct was telling me was right, I sent the lyrics for evaluation to a company called SongDoor. I’ve used them many times before and trust them to be harsh but fair. So far when I’ve used them, I’ve had one good evaluation back, a couple of okay ones, and quite a few where my work has been seriously trashed. To suddenly get an excellent evaluation back felt better than any words could describe. This is the summary I was given as part of their evaluation;
“We heard “Broadway” or “West End” all over these lyrics. We could all imagine some woman alone on a stage, in the spotlight, just singing her heart out, like in “Waitress” or something similar. Great imagery and a delightful cadence to the lyrics. Not a lot to criticize here, very well done. We’d love to hear the accompanying music. These are well-written words with serious commercial potential.”

 
Obviously, it all has to be put into perspective. In the end it’s only one single evaluation, but after working hard and trying my best for a very long time without feeling I’m getting anywhere, I’m going to enjoy this for a while. The same lyrics have now been sent to three different competitions, and in a couple of months it will be sent to a fourth one. I do hope this is the lyric that will unite the judges on both side of the Atlantic. Sooner or later, if I manage to write a good enough lyric, I should be able to get positive feedback from both America and the UK. I will have to wait and see if it could possibly be this one.

 
For those of you that missed the blog post where I shared the lyrics in question, I will give you a second chance. The lyrics are called “Got to let this woman be strong” and according to the evaluators at SongDoor; “the girl finally did good!”

 
Take care until next time and Happy Writing!
Åsa

 

Got to let this woman be strong

You’ve been moving
in my circles for a while.
Oh yes, I’ve noticed,
you’ve got a certain style.

You’ve been asking
all about me; yes, I’ve heard.
You want to know me?
This complicated bird?

Chorus
You can buy me a coffee.
You can cook me a meal.
You can sing me a song
that tells me how you feel.
But this girl’s been to hell and back.
The journey made me strong.
If you can’t cope with that,
then we won’t last long.
You’ve got to let this woman be strong!

Bridge
You got to be secure enough
to love the strength in me.
If you’re the controlling kind,
we’ll never share a key.

Chorus
You can buy me a coffee.
You can cook me a meal.
You can sing me a song
that tells me how you feel.
But this girl’s been to hell and back.
The journey made me strong.
If you can’t cope with that,
then we won’t last long.
You’ve got to let this woman be strong!

I’m no pick-nick,
there are calmer ways to live.
But if you’re certain,
this girl got lots to give.

Chorus
You can buy me a coffee
You can cook me a meal.
You can sing me a song
that tells me how you feel.
But this girl’s been to hell and back.
The journey made me strong.
If you can’t cope with that,
then we won’t last long.
You’ve got to let this woman be strong!
©2018 Åsa Sandberg

Growing and changing

This morning I have been looking through lyrics I’ve written this year, to pick out a few extra to send to various competitions. By doing so I realised something which made me feel a mixture of both happiness and sadness. I have moved on! When reading through some of the lyrics that I wrote in the beginning of this year, I didn’t recognise myself in that way of writing anymore.

What I personally feel has happened, is that I have grown and therefore what I write as a lyric writer has changed. I have taken a couple of significant steps forward and because of this I see no point entering earlier lyrics anymore. I don’t think the lyrics I looked through would make the cut for the semis in any competition and, even more important; they don’t represent me anymore. Realising this, I might as well count this moment as ground zero for my lyric writing. From now on I will draw a line under what has been and start afresh from the level I’m writing from today.

Whether or not I am right in what I’m sensing, will hopefully be confirmed or rejected very soon. One of the lyrics I’ve written since I took one of these steps forward is still waiting to come back from the judges at the UK Songwriting Contest (UKSC) Most “half term results” were presented last Wednesday, except for some “Lyrics Only” entries that also were taking part in the “Lyricist of the year” competition. These was said to take a “few” days longer because they were having to be seen by two different panels of judges.
Eight days on and I’m still waiting, but UKSC has put a message on the dashboard where the result will appear. The message reads; “If your result has not appeared above yet do not worry, some Lyrics Only entries are delayed slightly because of our arrangement with The Lyricist of The Year Awards. It will appear soon. If anything, this might be a good sign.”

The second lyric I’ve written, where the writing process itself, and my style of writing, made me feel I had reached a new level of development is sitting at an evaluator in the US at the moment. Hopefully the evaluator will notice the same thing that I feel, but even if they don’t, I can’t really do anything anymore anyway with my old lyrics. Personally I feel both me, and also time, has passed them by.

There is a slight difference in how I feel about my lyrics if I go back to the first couple of years of writing. In some of them I can still see a glimmer of hope. With some adjustments and a few word changes, I may still be able to revive some of them.

Just the other day I did make adjustments to one of my very early lyrics that for some reason always makes me smile, because I feel it describes today’s world fairly accurately in an ironic sort of way. It didn’t make the cut for the semis in its original state in 2015 but was awarded a commended entry. If I feel I want to spend money on a wild card this season, I might just give this one a second chance with its adjustments, because the subject matter is even more topical today than it was three years ago. The lyrics are called “Me, myself and I”, and I will share them with you today, maybe this can be a bridge between the old and the new as I hopefully continue to grow and change as a lyric writer.

Take care until next time and Happy Writing!
Åsa

Me, myself and I
I don’t know when people,
became obsolete.
We all were replaced by
a service elite.

The service in question,
ain’t bought from no shelf.
We all have it in us
it wears the name “Self”.

it’s all about “Self” now,
who could ask for more?
To think of another,
can be such a bore!

From now, all that matters,
is me, myself and I.
A self-contained unit,
from birth ‘til we die.

Chorus
So, me, myself and I
will have to wave goodbye.
We can’t waste time on you,
since we’re a single crew.
Don’t tell us how you feel,
it isn’t a big deal!
What doesn’t involve us,
can’t make us give a toss.

Bridge
Self-service, self-centred,
and selfies galore.
Woohoo
Self-service, self-centred,
and selfies galore.

Don’t think that I’m selfish,
I share all day long.
My thoughts and my pictures,
point out what is wrong.

The world can be stressful,
for me and my lot.
But we got us covered,
when all goes to pot.

Chorus
So, me, myself and I
will have to wave goodbye.
We can’t waste time on you,
since we’re a single crew.
Don’t tell us how you feel,
It isn’t a big deal!
What doesn’t involve us,
can’t make us give a toss.
©2015/2018 Åsa Sandberg

Waiting for answers

Today is a day when I’m waiting for some news. While I’m waiting I can still hope the news will be good, but at the same time I don’t want to raise my hopes too high. There’re two places I potentially could get some answers from very soon. One is from the half way results at UKSC. I’m still waiting to hear the fate of one of my lyrics there and is should be with me at any time now. The judging panel at UKSC is waiting for some information from the Lyricist of the year Award before making the announcement. Hopefully it won’t be long.

 
I have also sent in a brand-new song lyric for evaluation to the people at SongDoor in America. I sent it in as a spur of a moment thing yesterday and was told the evaluation should be with me before the end of the week. The reason I sent it in for an evaluation is, that personally, I felt these new lyrics showed that I have grown some within my craft from my last “real” lyric, to this one. Somehow, I don’t count lyrics I write as an exercise as “real” lyrics, so it’s been a while since I’ve written from scratch with the purpose of presenting my finished work to professionals, whether they are judges or evaluators.

 
In some ways, while writing these new lyrics, I felt it was the first time I was able to write in a way that actually felt like a song lyric. It was more varied in both tempo and language than my previous lyrics have been, and I couldn’t help feeling that my favourite exercise (which is to write new lyrics to old songs) are starting to pay off. Getting more use to writing to the flow of a melody instead of to a certain tempo in my head seem to have got me out of the narrow cage in which I was writing and where the options were very few.

 
I’ve decided to share these new lyrics with you, so you can decide for yourself whether there has been some progress. Hopefully I can give you some news very soon about what the professionals think too.

 
Take care until next time and Happy Writing!
Åsa

Got to let this woman be strong

You’ve been moving
in my circles for a while.
Oh yes, I’ve noticed,
you’ve got a certain style.

You’ve been asking
all about me; yes, I’ve heard.
You want to know me?
This complicated bird?

Chorus
You can buy me a coffee.
You can cook me a meal.
You can sing me a song
that tells me how you feel.
But this girl’s been to hell and back.
The journey made her strong.
If you can’t cope with that,
then we won’t last long.
You’ve got to let this woman be strong!

Bridge
You got to be secure enough
to love the strength in me.
If you’re the controlling kind,
we’ll never share a key.

Chorus
You can buy me a coffee.
You can cook me a meal.
You can sing me a song
that tells me how you feel.
But this girl’s been to hell and back.
The journey made her strong.
If you can’t cope with that,
then we won’t last long.
You’ve got to let this woman be strong!

I’m no pick-nick,
there are calmer ways to live.
But if you’re certain,
this girl got lots to give.

Chorus
You can buy me a coffee
You can cook me a meal.
You can sing me a song
that tells me how you feel.
But this girl’s been to hell and back.
The journey made her strong.
If you can’t cope with that,
then we won’t last long.
You’ve got to let this woman be strong!
©2018 Åsa Sandberg

No pure intentions

If, like me, you are a person that likes the journey of self-discovery it’s strange how it is somehow never ending. When you think you have explored every nook and cranny, every dirt road, every cul-de-sac inside yourself and feel you’ve got your answers, then it starts again. Nothing explains the inside journey better than the illustration of the onion. You peel layer after layer, but somehow there is always more. What I’m realising at the moment is that even though I may be fooled into thinking that the issues I will have to deal with closer to the core are simpler, because they inevitably look smaller, they are much denser and harder to get hold of to peel off. I think they also hold all those things I haven’t been ready for earlier in my development, so subconsciously I have pushed them away, creating these dense layers that I’m now starting to consciously be aware off.

It was actually yesterday, when writing my other blog https://overweight-thoughts.blog/ that my next layer came into vision for me. I was talking about how I always have been putting so much pressure on myself to achieve brilliance in one creative area of my life or another, that I never really took into consideration that I may not be capable of such heights, so I now feel on the brink of serious exhaustion. In my blog yesterday I challenged myself, saying that maybe it was time for me to accept mediocracy from myself? Not saying that I wouldn’t continue to try my hardest, but maybe it was time for me to start to accept that if what I send out into the world to get judged, comes back to me as an okay attempt instead of an exceptional one, this should also be good enough for me.

This thought felt very uncomfortable to me yesterday, and it doesn’t sit any better with me this morning, but at least I have become aware of something inside me that needs resolving. My next step is to ask why I am so driven? Why is brilliance so important to me? I know I have a tendency to expect a lot from people around me too, but I’m always hardest on myself.

While I was out walking my dog Columbo this morning, I finally was able to admit to myself what is the fuel that drives me, and why it won’t allow me to let go of the dream of one day achieving something that, in my own eyes, is good enough. Sadly, my reasons for wanting to achieve something worth recognising in bigger circumstances aren’t pure or noble at all. Although the fuel that drives me is very pure. It is a pure hate and anger that has built up inside me for the last five decades. “I’ll show them!” is the sentence that is my drive. “I’ll show them all”. It seems like I have put all the anger and hate which has developed inside me, starting from the lack of support and understanding of my creativity at home as a child; all my childhood bullies; all the people that have at some time in my life betrayed or lied to me in a big way into this fuel. All of this I have buried inside a distillery living inside my soul and from that I draw this high-octane fuel built on unresolved hate and anger.

Granted, it’s not the worst thing in the world to do; aiming all my collective hurts and wounds that I have had time to gather in my life, towards something as positive as creativity. My problem is that the longer the hurts have been bubbling away in my private distillery, the purer and higher the octane, the bigger my personal achievement will have to be in order to satisfy me in my strive to “show them”.

A lot of “them” I probably don’t even remember anymore, but I remember enough for it to be difficult for me to change over to a more environmentally friendly fuel for my creative driving force. The pure, hate fuelled stuff at the moment seems to be what’s needed to keep the fire burning inside me.

Accepting this, I also have to accept that I’m most certainly steering straight towards a head collision with my next paradox in life. I’ve learned the hard way that most things I really want in life, I have to let go of or set free, before they can be mine. I won’t lie to you; this realisation makes me angry. I’m not sure I am capable of getting rid of my hate filled fuel, that has been driving me for so long, but I am pretty sure that I won’t produce anything that I personally will accept as good enough creatively, while my main driving force is “I will show them”. I also know that if I can’t get to a point where I can accept my work on whatever level it lives on, I will soon hit a wall of pure and serious exhaustion, and if that happens, I won’t have much choice in the matter anymore anyway.

They say, we will never be given anything in life that we are not strong enough to cope with. I have just been shown my next layer in my personal onion. Hopefully I will be able to peel it off and come out on the other side of it with a capability of accepting my creativity just as it is, without any demands on the end result being different or better. It will just be an extension of me and my life experiences but without having to be presented as a product that needs to “show anybody” anything.

This won’t happen overnight, but the chance of it happening at all is much bigger today than it was yesterday, because today I’ve been given the awareness to be able to start working on my next step of self-development, which is a very humbling feeling that fills me with gratitude.

Take care until next time and Happy Writing!
Åsa

I’m in the semis!

The “mid-term” results from UK songwriting Contest (UKSC) are now starting to drip through. I have had the judge’s decision on three out of my five entries into the first session. My lyric called “Destiny Calling” which was given the best evaluation I’ve ever had from SongDoor, did not get through to the semis. That didn’t surprise me, because so far, the judges at UKSC and the evaluation team at SongDoor have always been sitting on opposite sides of the fence. Absolutely nothing wrong with that. Instead it is almost comforting that this difference of opinion continues.

 
My collaboration together with Fredrik Holm; – the song “Alone” in the jazz and blues category, didn’t go any further either. Well it will, just like “Destiny calling”, be considered for the lower prices, which are “Special mention award”, “Higher commended award”, or “Commended award”, but however nice that is, anything below a semi-final place really means that the entry has come to the end of the line in this year’s competition.

 
The third entry of mine that already has been seen by the judges is the lyrics to “Alone” that I entered into the “Lyric only” category and I am very pleased to announce that it has been given a place in the semi-finals and still lives on in the competition. The strange thing is that it wasn’t the version of the lyrics I was going to enter. I made a rooky mistake with both the song version and the lyric version of “Alone” and entered an earlier one where I still hadn’t made my final correction. Since I’m in the semis with this version I suppose I could leave it, but I also know that my final version is flowing much better, so I will enter both the song and the lyrics again for the autumn session. If I don’t I will always wonder “what if”.

 
I’m still waiting for the results of a “Lyrics only” entry I’ve called “Sad to waste it” and a song collaboration, again with Fredrik Holm as the composer, entered in the “Open category” called “Mad World”. I did enter an earlier version of “Mad World” in the “Lyrics only” category in 2015 and it was given a semi-final place. Since then I have refurbished the chorus and changed the verses a bit and added a bridge. I will enter the new version of the lyrics into the competition before the deadline on 30 September, but I thought I’d wait and see what happens to the song first. The song is a bit different, so I’m pleased that UKSC have an open category these days. It gives songs that fall between the standard categories a chance.

 
I will share “Mad World” with you, both the lyrics and the demo of the song, while I’m waiting for the results. Hopefully it will inspire some of you, who are still sitting on the fence about entering your lyrics or music into the competition, to actually enter. Writing lyrics can be a lonely thing to try and make a living out of, so finding places to talk to other, likeminded people can help to keep the motivation going. Competitions are one of those places where you can do just that, and you may also be lucky enough to find collaborators, if you, like me, don’t write music or if you are a musician that prefer not to write your own lyrics.

 

 

Take care until next time and Happy Writing!

 

Åsa

 

Mad world
I’m scared of being sued
and sick of getting screwed.
The world is going mad
and everybody’s blinking rude!

Chorus
Mad world, Bad world,
most of all a Sad world!
Where can I get off?
Rough world, Tough world
Through and through a Bluff world.
When can I get off?

I wonder why I’m here
when all I sense is fear.
I hate to feel alone
but know the cost of getting near.

Repeat Chorus

Bridge
I know that I’m moaning.
So, what! Don’t we all.
It’s my way of coping,
fight back when I fall.
Repeat Chorus

I’m tired and I’m worn,
regret that I was born.
I need a new way out,
‘cause deep inside I feel so torn.

REPEAT CHORUS x2
©2014/2018 Åsa Sandberg

 

At peace with the journey

Two days ago, I entered into the UK Sonwriting contest one additional lyric and one song where I have collaborated with a composer, making the tally to the first part of the competition three new lyrics and two song collaborations.

 
I mentioned this on UKSCs Facebook page and another competitor that I “talked” to quite a lot last year via the same FB page, asked me how I had been doing since last years results and if my musical dreams had come true? When answering, I got very surprised over what I said, but it is in a happy way. This is what I said: “I feel I am on the right track when it comes to my lyric writing and I’m at peace with the journey!

 
I’m at peace with the journey! How incredible is that! I think I will allow myself a pat on the back for being able to say that and mean it!

 
I suppose you could ask me if I suddenly have lost all my aspirations? If what I want for myself in this creative job has faded? No, is the answer to both those questions. I still burn for the day when I once again get a result I personally can look at as a successful one,. I still want to be able to earn money from writing lyrics, but what I have learned is that those dreams won’t be handed to me on a silver plate from the outside. At least not until I have done the legwork and completed my inside journey and, in all honesty, can say that I have done everything in my power to become as good a writer as I can be.
The reason I’m at peace with my journey is that I am working on becoming better as often and as much as possible. I know I have a few miles to go yet, but I have also travelled a few miles already and done a lot of learning lately. If my efforts so far are rewarded with good marks in the competitions this year, I will be very happy, but the best thing is that I have no expectations what so ever.

 
I think I got a bit spoilt in 2015 when I scooped home 8 semi-final places from UKSC. I thought lyric writing was easy, and the next two years I expected the results to mirror my debut year, especially since I did exactly the same thing. Well, so much is wrong with my last two statements. Firstly; -lyric writing is not easy. Not if I want to aim for good lyrics. Secondly; – I did exactly the same thing! How arrogant and ignorant was that? I never bothered to learn anything new. I thought that I, out of the blue had got the perfect formula for lyric writing and kept hammering down lyric after lyric out of the same old mould. Thank goodness I’ve had some sense knocked into me since then.

 
Another thing has also happened since the UKSC competition 2015. The judges have raised the bar. If I were to enter the lyrics I entered in 2015 again this year, I can’t see many of them making the semis. This doesn’t take anything away from either my lyrics or the 2015 competition. I played in a playing field where all were judged by the same standards, on which ever level the standard was that year, and among those entries mine were thought of as good enough to get awarded 8 semi final places. My mistake the following years was that the competition moved on to new heights and I didn’t.

 
Still, I hadn’t realised that I was feeling as good as I was about where I’m at with my writing, until I was asked the question. I’m sure, a year from now, my goal will be on a higher level, if I can continue to see and feel development, but for now it is all good!
I am obviously very curious about how my entries to this first part of the UKSC will be received, and I can’t wait to find out within the next week or so, but it is a wonderful feeling not to have any expectations what so ever. It gives me a great feeling of harmony from where I can continue my journey.

 
Take care until next time and Happy Writing!
Åsa

Imagine

Imagine the world without the song “Imagine” by John Lennon. It isn’t easy however hard I try.

 
I have gone back to my favourite website at the moment, www.songfacts.com and found that “Imagine” is the number one lyrics of today’s top 10. I will share the song facts about this wonderful song with you. One fact that I found amusing, since this particular fact makes me realise I wasn’t totally off the mark doubting the English grammar of that sentence when I heard the song as a teenager back in Finland. This is the fact; “According to Yoko Ono, who controls the rights to John Lennon’s music, the most frequent request she gets comes from musicians who want to record this song but change the “No religion, too” lyrics – a request she has always denied.”

 
A good thing to keep in the back of my mind if any critics or judges tells me off for not being grammatically correct!

 
Enjoy the song facts!
Take care until next time and Happy Writing!
Åsa

 

 

Lennon was asking us to imagine a place where things that divide people (religion, possessions, etc.) did not exist. He felt that would be a much better place.

 
This song is a strong political message that is sugar-coated in a beautiful melody. Lennon realized that the softer approach would bring the song to a wider audience, who hopefully would listen to his message.

 
Lennon took the sole songwriter credit on this track, but later said that his wife, Yoko Ono, should have been credited as well, as he got the initial idea from her book Grapefruit, which is a book of instructions with things like “Imagine the sky crying…” or “Imagine you’re a cloud.”

 

“I was a bit more selfish, a bit more macho, and I sort of omitted to mention her contribution,” he told the BBC. “If it had been Bowie, I would have put Lennon-Bowie… I just put ‘Lennon’ because she’s just the wife and you don’t put her name on, right?”

 

On June 14, 2017, the National Music Publishers’ Association announced that Yoko would finally be added as a songwriter for “Imagine.” This took place at a ceremony where Yoko was given the Centennial (song of the century) award for her contribution, which was followed by a Patti Smith performance of the song.

 
Some people have wondered if Lennon included a message in the video for this song as well. In the video, Lennon is dressed as a cowboy and Yoko Ono is dressed as an Indian squaw. This could be a kind of message about all cultures getting along.

Suggestion credit:
Adam – Dewsbury, England, for above 2

 
Lennon wrote this on a brown Steinway upright piano. In 2000, George Michael paid over $2 million for the piano that Lennon wrote this on, and then returned it to the Beatles museum in Liverpool. John’s piano has since been “on tour” to various world locations promoting peace.

 
Churlish listeners had a problem with the “no possessions” line, finding Lennon hypocritical since he was so well-off. Yoko Ono addressed this in a 1998 interview with Uncut, where she stated regarding her husband’s intentions: “He sincerely wished that there would be a time when all of us could feel happy without getting too obsessive about material goods.”

 
A sidewalk mosaic spells out the word “Imagine” in a section of Central Park dedicated to Lennon. The area is called “Strawberry Fields,” and is located across from Lennon’s apartment where he was shot.

 
This was not released as a single in the UK until 1975, when it hit #6. Shortly after Lennon’s death in 1980, it was re-released in the UK and hit #1. It was replaced at #1 by Lennon’s “Woman,” marking the first time an artist replaced himself on top of the UK charts since The Beatles followed “She Loves You” with “I Want To Hold Your Hand.”
This is credited to The Plastic Ono Band, the name Lennon used for some of his recordings after leaving The Beatles. Ringo Starr played drums on this and Klaus Voorman played bass.

 
On September 21, 2001, Neil Young performed this on a benefit telethon for the victims of the terrorist attacks on America. Almost 60 million people watched the special in the US.

 
At a 2001 tribute special to Lennon, Yolanda Adams sang this with Billy Preston on organ. Preston played keyboards on some Beatles songs, including “Get Back.”
Oasis used the piano intro on their 1996 song “Don’t Look Back In Anger.”

 
In 2002, this came in #2 in a poll by Guinness World Records as Britain’s favorite single of all time. It lost to “Bohemian Rhapsody” by Queen.

 
This has been covered by many bands, including Our Lady Peace, and a vastly toned-down version by A Perfect Circle. Jack Johnson recorded it for the 2007 compilation Instant Karma: The Amnesty International Campaign to Save Darfur.
Suggestion credit:
Jeffrey – Victoria, Canada

 
This song plays a role in the movie Forrest Gump. Gump (played by Tom Hanks) appears on a talk show with Lennon, talking about a place where there are “no possessions” and “no religion.” It’s implied that Gump gave Lennon the idea for this song.

 
Some speculate that this song contains backwards messages. With a keen ear and large imagination, you can barely make out the words “people war beside me” when reversing the line “Imagine all the people.”
Suggestion credit:
Spencer – Los Angeles, CA

 
On September 13, 1980 Elton John did a free concert in New York’s Central Park, ending it with this song. This performance was three months before Lennon’s untimely death; before playing the song Elton said, “This is for a dear friend of mine who doesn’t live too far from here, so let’s sing it loud enough for him to hear it” (Lennon lived only a few blocks from that part of Central Park). The flamboyant Elton performed the song wearing a Donald Duck outfit.
Suggestion credit:
Chris – Philly, PA

 
Lennon said this song is “virtually the Communist Manifesto.” That’s usually the last we see of the quote, but Lennon added: “even though I am not particularly a communist and I do not belong to any movement.”
Suggestion credit:
Adam – Mechanicsburg, PA

 
This song returned to the Hot 100 three times in the late 2000s, thanks to cover versions by Jack Johnson (#90, 2007), David Archuleta (#36, 2008) and The Glee Cast (#67, 2009).
The jazz musician Herbie Hancock recorded this as the centrepiece to his Imagine Project. His version features Jeff Beck, P!nk, Seal, India.Arie, Konono N°1 and Oumou Sangaré.

 
According to Yoko Ono, who controls the rights to John Lennon’s music, the most frequent request she gets comes from musicians who want to record this song but change the “No religion, too” lyrics – a request she has always denied.

 

 

So, does this mean you can record any song, but you need special permission to alter the lyrics? Essentially, yes. Alex Holz at the music licensing and royalty service provider Limelight explained to us: “Artists can be afforded ‘some’ leeway in adapting a track to your band’s style (so long as you don’t alter the fundamental character of the work), though lyric changes/alterations typically require direct permission from the publisher as a derivative work. Every songwriter/publisher/song is unique and requirements vary.”
This was the last song played on WABC before they switched from a Top 40 format to talk radio. Based in New York City, WABC was for decades the top AM radio station in the country. They debated long and hard to decide which song should be their farewell.
Suggestion credit:
Rob – Minneapolis, MN

 
A moving rendition of this song took place in Paris on November 14, 2015 at the Bataclan theater, where 89 people were killed by gunmen in terrorist attacks the previous night. The German pianist Davide Martello brought his grand piano to the theater, and played the song while crowds mourned outside the venue.

 

 

Over the next few days, Martello brought the piano to every location in Paris where the attacks took place, performing the song in tribute.

 
When Nike used the Beatles song “Revolution” in 1987 TV commercials, Yoko Ono joined the surviving band members in suing the company. In the court proceedings, it was revealed that Yoko appeared in a Japanese TV commercial for a telephone company where “Imagine” plays. According to court documents, she authorized use of the song and was paid about $400,000. The “Revolution” case unified the Beatles in their opposition to having songs used in commercials, especially since they didn’t control the rights – Capitol Records and Michael Jackson did.

 
At the opening ceremony of the 2018 Winter Olympics in Pyeongchang, South Korea, four singers from that country performed the song, with each taking a verse. The singers represented a range of genres, including K-pop, with Ahn Ji-young of the duo Bolbbalgan4 performing along with Ha Hyun-woo of the rock band Guckkasten, Jeon In-Kwon of the rock band Deulgukhwa, and the solo artist Lee Eun-mi.

 

 

The theme of the ceremony was “Peace in Motion,” with a message of unity as athletes from North and South Korea entered under one flag.

 
Ben & Jerry’s, makers of “Cherry Garcia” and “Phish Food,” named an ice cream flavor after Lennon’s hit song in 2007. Retired since 2013, “Imagine Whirled Peace” was a caramel ice cream mixed with toffee cookie pieces and chocolate peace signs.